I was a happy child until I went to school. When my teacher turned her back, I ran home. My mom sent me back. The umbilical cord broken, I held a grudge. That enmity remained until my ninth-grade English teacher read us Richard Brautigan’s post-apocalyptic, proto-hippie fantasy In Watermelon Sugar. There was much to imagine: a multicolored sun, an infinite garbage dump, and mathematical, parent-eating tigers. Like the narrator, I wanted to live in a shack, not have a regular name, and hook up with a proto-hippie, hot cake-making artist girlfriend who made “a long and slow love” possible. Since then, I have devoured fiction, poetry, art, film, you name it.
I love story collections where a writer has nothing to lose. The writer tries out ideas, and when imagination goes off the rails, we all go for a ride. This book has a central voice, Victor, who takes us to the carnival. There is Thomas, the storyteller whose imagination destabilizes like an LSD trip, but when Victor, Thomas, and their friends all take hallucinogens, everyone’s a Thomas.
As the stories unfold, somebody’s waiting for Crazy Horse, Jesus, Qualchan, or Coyote, and maybe they come, and maybe they don’t. It all boils down to “Survival = Anger x Imagination. Imagination is the Only Weapon on the Reservation” (150), an equation worth the price of admission.
Alexie’s prose startles and dazzles with unexpected, impossible-to-anticipate moves. These are cultural love stories, and we laugh on every page with a fist tight around our hearts.”The Boston Globe
Poetic and unremittingly honest . . . The Lone Ranger and Tonto Fistfight in Heaven is for the American Indian what Richard Wright’s Native Son was for the black American in 1940.”Chicago Tribune
Sherman Alexie’s celebrated first collection, The Lone Ranger and Tonto Fistfight in Heaven, established its author as one of America’s most important and provocative voices. The basis for the award-winning movie Smoke Signals, it remains one of his…
Maybe you’ve read this book, but maybe you haven’t. The kids like me who used to carry the 95¢ Dell paperbacks are now dead or thinking about it.
The author, Kurt Vonnegut, was an American prisoner of war and spent 24 hours underground in a meat locker during the Allied firebombing of Dresden, Germany. He said of his experience the bombing “killed 250,000 people in 24 hours and destroyed all of Dresden—possibly the world’s most beautiful city. But not me.” It’s fair to say that this book was his imagination’s way of dealing with the war. “One” acts as a preface, so the novel really begins with “Two,” “Listen:/Billy Pilgrim is unstuck in time,” and then imagination fights its way out.
A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds
Selected by the Modern Library as one of the 100 best novels of all time
Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had…
I saw my first raven near Mount Rainier. The bird looked me in the eye, hopped to the left, sized me up, and continued his business. The advancing Russian army drove Bernd Heinrich and his family into the forest near Hahnheide, Germany, where they lived in a small hut for five years.
There, he began his lifelong quest to connect with insects (especially bees), owls, trees, antelope (he runs ultramarathons), geese...and ravens. The mind of the Raven is a deep, scientific meditation on the intersection between being human and raven. It concludes that “ultimately [our differences are] less a matter of consciousness than of culture” (342).
I wonder how culture has dulled my imagination, a struggle Heinrich clearly has fought more successfully than I have.
Heinrich involves us in his quest to get inside the mind of the raven. But as animals can only be spied on by getting quite close, Heinrich adopts ravens, thereby becoming a "raven father," as well as observing them in their natural habitat. He studies their daily routines, and in the process, paints a vivid picture of the ravens' world. At the heart of this book are Heinrich's love and respect for these complex and engaging creatures, and through his keen observation and analysis, we become their intimates too.
Heinrich's passion for ravens has led him around the world in…
I repost art that catches my eye. I click when I see a piece of Egon Schiele on social media. It’s impossible to look away, which is saying something, considering the variety and audacity of modern art. Born in Tulln, Austria, in 1890, Schiele died of the Spanish Flu in 1918 at only 27.
A student of Gustav Klimt, Schiele’s art is expressionistic, graphic, and transformative. His imagination is a slap in the face, a Munch “Scream” of a crime scene photograph. Steiner has done a great service in producing this art book, in which all of Schiele’s work is reproduced in color. His commentary is, at the same time, chronological and thematic. Schiele survived derisive criticism and prison, and although his life was short, his imaginative punches still landed.
With his graphic style, figural distortion, and defiance of conventional standards of beauty, Egon Schiele (1890-1918) was a pioneer of Austrian Expressionism and one of the most startling portrait painters of the 20th century.
Mentored by Gustav Klimt, Schiele dabbled in a glittering Art Nouveau style before developing his own much more gritty and confrontational aesthetic of sharp lines, lurid shades, and mannered, elongated figures. His prolific portraits and self-portraits stunned the Viennese establishment with an unprecedented psychological and sexual intensity, favoring erotic, exposing, or unsettling poses in which he or his sitters cower on the floor, languish with legs…
I was fourteen when I was introduced to my next pick. Our teacher read aloud The Kool-Aid Wino and The Cleveland Wrecking Yard, and I was lucky enough to find a copy at the mall as I read, bang! Trout Fishing in America Terrorists, bang! The Hunchback Trout, and bang! Sandbox Minus John Dillinger Equals What?
Brautigan grew up neglected and received involuntary electroshock treatments because he was hungry and threw a rock through a police station window. He never went to college but taught college classes. His imagination gave him a reason to live. It gave me one, too.
Three counterculture classics by Richard Brautigan, literary icon of the 1960s, together in a single volume, including the unforgettable Trout Fishing in America.
Trout Fishing in America is by turns a hilarious, playful, and melancholy novel that wanders from San Francisco through America's rural waterways.
In Watermelon Sugar expresses the mood of a new generation, revealing death as a place where people travel the length of their dreams, rejecting violence and hate.
The Pill Versus the Springhill Mine Disaster is a collection of nearly one hundred poems, first published in 1968.
A retired English teacher has come home to Appalachia, a land of industrial disaster and natural beauty. He has been enticed with stories of Wildcat’s transformation: of the collective action embodied in Hotel Wildcat as well as the artisanal pursuits springing to life in the old iron mill. But in returning, he must confront his dark memories: the lost love of his hippie chic girlfriend not to mention the lost trust between his middle-class family and working-class Wildcat.
Written in the lyrical grit so characteristic of America’s Rust Belt, Wildcat: An Appalachian Romance is a testament to the redemptive potential of rediscovered friendship, the restorative power of nature, and our personal and communal capacity for transformation.
This book (and its sequels) are about overcoming the odds; about learning to improve the skills and abilities you have, rather than dwelling on what you can't do. Conflict, plague, and scheming politicians are all featured along the way–but none of the characters are human!
When a plague kills half the Drax population, and leaves the hatchlings of the survivors with a terrible deformity – no wings – suspicion and prejudice follow. Continuously harassed by raids from their traditional enemies, the Koth, the Drax are looking for someone, or something, to blame.
Zarda, an apprentice Fate-seer, is new to her role and unsure of her own abilities; but the death of her teacher sees her summoned by the Drax Prime, Kalis, when his heir, Dru, emerges from his shell without wings.
A vision that Dru will one day defeat the Koth is enough to keep…
